FOOD — LIKE CHICKEN SOUP FOR THE SOUL
Ah, the joys of Ramadan.
This is a holy month here in Saudi Arabia — a time when one cuts out everything but the essential from life in order to focus on the Essential, if you get my drift.
How does this translate?
– Shortened business hours
– Dead streets during daylight hours
– Longer prayer times
– Iftars
This last point is probably my favorite part of Saudi Arabia thus far.
The iftar (“breakfast”) is, quite literally, the breaking of the fast. You get together with 20 of your closest friends, catch up over coffee and dried dates, and then sit down to a table piled high with mind-boggling amounts of food. There’s traditional dishes and old stand-bys, mezze and hommous, salads and rice and chicken, and even the occasional cheesecake.
This is not a time to be dieting. To the uninitiated: this is like Thanksgiving, but every single night. And let me tell you, having been to one of these, it’s amazing. The iftar may traditionally wrap up around 8 PM, but this is a country that likes to stay up late. As I mentioned previously, people will stay out until 3 or 4 AM, or even sunrise.
It’s a shame I turn into a pumpkin at midnight.
AND HERE I SIT, WATCHING TV
If there’s one thing I do here in Riyadh, it’s watch television. And no, not in the “couch potato” channel surfing, type of watch — but rather, I take whole seasons of a show and just binge-watch my way through. I try to take up other hobbies as well — for example, I’m trying to relearn the guitar — but the fact is there is always down time and not enough activity to fill it.
I’m currently working my way through the first season of AMC’s Mad Men — the sixties serial about a Madison Avenue advertising agency. It’s compelling and dreary at times — like American Beauty fifty years ago — but it’s the attention to detail that really sets it apart.
Whereas That 70s Show might throw in the occasional current events reference with a knowing wink and a nod, Mad Men’s writers are much more subtle. Flyaway commentary about JFK or The Bomb are just that — window dressing. It’s clear the intention is for the viewer to be looking through the window, so to speak, and not at the drapes.
It’s a story that probably wouldn’t work set in another time period, and yet it’s the sum of each stylish part working so harmoniously that makes it so good. If you haven’t seen this series, go out and pick it up from the beginning.
AND THEN WE ALL LAUGH TOGETHER
Another tradition, it seems, is the yearly Ramadan premiere of the Saudi comedy series Tash ma Tash (“no big deal”) — now in its 17th year. At times controversial, the rest of the time hilarious, this is a show that continues to push the envelope when it comes to satire and social commentary. It’s sharp and current and it throws the issues of the day into relief. It gets people talking publicly about things that might only be discussed privately. And the opening theme is catchy:
TASH (tash) TASH (tash) TASH ma taaaaaASH (repeat 800 times)
Sometimes the show strikes such a chord that local newspapers start covering the subject matter. From there, readers interact and spur the reaction further. It’s kind of amazing; when was the last time a television show drew this kind of attention in the United States?
I think maybe this is the ultimate punch line for the show’s writers — creating a fictional scenario so outlandish that the message manages to transcend reality itself.
I’m suddenly reminded of the season finale of LOST. Now, if only I could find it on DVD.


